Lunar Attractions, by Clark Blaise
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Lunar Attractions, by Clark Blaise
PDF Ebook Lunar Attractions, by Clark Blaise
"Engaging, stirring, and hard to put down."—The New York Times Book Review
First published in 1979, Lunar Attractions is the story of David Greenwood, a whimsical boy from the Florida backwoods whose shocking sexual awakening propels him into the world of murder and extortion that roils beneath the surface of 1950s America.
Lunar Attractions, by Clark Blaise- Amazon Sales Rank: #1879520 in Books
- Brand: Blaise, Clark
- Published on: 2015-03-17
- Original language: English
- Number of items: 1
- Dimensions: .90" h x 5.20" w x 8.20" l, .0 pounds
- Binding: Paperback
- 308 pages
Review
`Engaging, stirring and hard to put down ... a born storyteller ... a writer to savour.'
(The New York Times Book Review)`The most ferocious and astonishing scene of adolescent sexual first contact ever written: in English: in fiction.'
(The National Review)`At first Lunar Attractions looks like a very good first novel.... In fact, wow! It's terrific! And then, during one of the most surprising sex scenes you'll ever read in your life, it starts getting better.... Lunar Attractions has scenes like Emma being seduced by Rodolphe in Madame Bovary, or Julien stumbling across Europe battlefields in The Charterhouse of Parma, or Dean Moriary parking cars in On the Road.'
(The Los Angeles Times Book Review)Review
`A spooky and wonderful book about growing up. I thought there were no new ways to write about adolescence, but Clark Blaise has proved me wrong.'
(Dan Wakefield)From the Author
Excerpt from the Introduction
After two collections of stories and a non-fiction collaboration, Lunar Attractions was my belated first novel, the last book of my youth. It turned out to be the last of many other things; the last book written as a full Canadian, the last written in traditional cursive script with a fountain pen in spiral notebooks, the last written on a sabbatical, with money in the bank, without interruption, in the full confidence that it would find an audience, and endure. I look back on that year -- 1976–77 -- with bittersweet bewilderment: how could I expect that writing would be so easy, expectation so smoothly fulfilled? As I say, that's youth.
Lunar Attractions was written on a wide bed under a fan in a rented house in the north block of Panch Shila Park, New Delhi, India. We were on academic leave from Montreal because of my wife's appointment, for a year, as Resident Director of the Shastri Indo-Canadian Institute. This carried stipends and diplomatic perks; we had, for the only time in our life, a domestic staff, someone to shop, someone else to cook, yet another to clean. The children were picked up at seven-thirty every morning by the American Embassy School bus, and didn't return till four. Nearly every night we had diplomatic functions to attend, a circle of friends and acquaintances far removed from teaching and writing. We had access to cabinet-level Indian officials, journalists, writers and film-makers, as well as the cultural attachés of every Western power in New Delhi. We were thirty-six years old and accustomed to a far different reception and status in Canada. This was an optimum year, and the best possible conditions for writing a book that I will ever enjoy. We had no money worries, thanks to a Canada Council grant, Bharati's Shastri (rupee) stipend, and the advance on this book. This is my only book written under the gift of time and concentration. Lunar Attractions was written in an unduplicatable state of grace.
We were even enjoying a bit of literary celebrity. Shortly after arriving, an earlier book, Days and Nights in Calcutta, appeared. It was not circulated in India, but it was nevertheless widely reviewed, especially by enemies of Mrs Gandhi's bogus `Emergency'. This gave us cachet, and access to India's underground, and especially its pool of dissenting journalists. My two earlier story collections and Bharati's two earlier novels made us, in a small way, celebrated authors in the circumscribed precincts of the diplomatic enclaves. (Bharati's 1975 novel, Wife, was something of a scandalous success; its India-born heroine ends the book by murdering her Indian husband in New York. Scrupulous readers in the ACSA Library asked delicately about Bharati's `first husband', and sometimes asked me if she'd won acquittal or had actually served time.) Readers don't want to accept invention; if the author admits that it `didn't really happen,' then suddenly the whole book becomes unconvincing, even improbable. (I've heard them: `Yeah, that didn't seem too believable ...') If we admit to following a rough outline of verifiable truth, then we're mere journalists.
(Clark Blaise)
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Most helpful customer reviews
1 of 1 people found the following review helpful. A coming-of-age sexual shocker. Beautifully written; highly recommended By Timothy J. Bazzett I'm pleased that I searched out LUNAR ATTRACTIONS (1979), Clark Blaise's first novel, a book that has sadly, I suspect, been largely forgotten today. I recently read Blaise's fine literary memoir, I Had a Father: A Post-Modern Autobiography, which piqued my curiosity about his writing career. LUNAR ATTRACTIONS was a revelation. Highly autobiographical in nature, it tells the story of David Greenwood, son of Canadian parents, raised in the swamps of south central Florida. But Blaise's portrait of that area and its poorly educated, worm-ridden inhabitants bears little resemblance to, say, the Florida depicted by Marjorie Kinnan Rawlings in The Yearling (Aladdin Classics), or the cleaned-up terrain in the TV series, "Gentle Ben." An overweight, unathletic mama's boy who loves maps and memorizing things, David suffers the usual fears and uncertainties of childhood and then some. And then, when the family moves to a large Ohio city the awful pangs of adolescence and David's late-blooming sexual awakening take center stage. About this an early review from "The National Review" stated -"The most ferocious and astonishing scene of adolescent sexual first contact ever written in English: in fiction"Amen, brother. That comment says it all about one of the most pivotal scenes in the novel. Blaise's book is a story that builds slowly and artfully to the aforementioned sexual encounter, and then tries to make sense of it all as David continues his education, sexual and otherwise.I suspect LUNAR ATTRACTIONS was considered a shocking novel in its day for its unusually frank treatment of sexual matters. Hell, it would probably be considered pretty shocking even today. But it works. It all fits within the framework of this unusual coming of age tale set in the early 1950s. Soon I'll have to try some of Blaise's short stories, but in the meantime I'll be thinking of this one for quite a while. Highly recommended.- Tim Bazzett, author of the memoir, BOOKLOVER
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