Outing the Mermaid: A Novel of Love, Fear & Misogyny, by Ann Medlock
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Outing the Mermaid: A Novel of Love, Fear & Misogyny, by Ann Medlock
Free PDF Ebook Online Outing the Mermaid: A Novel of Love, Fear & Misogyny, by Ann Medlock
“The prose is poetry, yet completely unselfconscious, and that ain’t easy.” –Robert Page Jones, Screenwriter & Novelist From the Jane Austen room at The Sylvia Beach Hotel: “Outing the Mermaid is Jane Austen with sex.” –Goody Cable, Hotel Proprietor “I started Outing the Mermaid last night in m favorite reading venue … the bathtub. All the water ran out and I was still sitting there reading. It’s that good. Brilliant.” –Wynne Crombie, Writer & Educator “Medlock’s ripping yarn will be on my shelf next to Amy Tan, Thomas McGuane, Wallace Stegner and Barbara Kingsolver.” –Peter Tavernise, Artist & Foundation Leader “I had to shake myself mentally when I was done with Outing the Mermaid, to force myself to emerge from the world the book created. It was a very intense experience.” –Joan Brunwasser, Editor, OpEdNews “Medlock’s protagonist is a female, modern-day, Odysseus. Tested time and time again, her complex and varied adventures are not about conquering kingdoms or blinding Cyclops–they are about learning how to live one’s own life with the utmost authenticity and integrity. Such riches as these are beyond measure.” –Susan S. Scott, Jungian Psychotherapist & Writer
Outing the Mermaid: A Novel of Love, Fear & Misogyny, by Ann Medlock- Amazon Sales Rank: #299056 in eBooks
- Published on: 2015-03-21
- Released on: 2015-03-21
- Format: Kindle eBook
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4 of 4 people found the following review helpful. Releasing the Mermaid and Signing our Names By Gray Kochhar-Lindgren Ann Medlock’s Outing the Mermaid is most deeply about how a woman moves from being an unformed princess dependent on the arrival of a knight to being a woman who accepts the surging power of the sea, a woman who is at last able, in the final words of the novel, to sign her own name: Morgana Lee Palmer June 22, 1977. This core story moves along in a narrative that combines a coming-of-age autobiography—how does a woman move from the 1940s into the late 70s?—with a history of a tumultuous period of American history that progresses, in halting steps, from WWII through Vietnam and beyond.As Lee, who only early and late is Morgana, begins her courtship with her future husband Joe Montagna (who also turns out to have mafia connections), he notices her portrait of Our Lady of Guadalupe and she replies: “A confirmation gift. So she’s been on the wall since I was 12—if she’s on the wall, this must be home. And the picture next to her—the mermaid surrounded by polliwogs? That one too. She goes with me everywhere. It’s from my dad’s ship, in the Pacific war.” This is the fundamental scenario of Lee’s life, the script that she learns—through suffering and a thoughtful, gutsy imagination—to rewrite for herself. On the cusp of puberty two powerful images of womanhood accompany her, but these are themselves, especially the image of the mermaid, contextualized by the power of the absent father and the threat of death.Lee learns to feel like a “faux woman,” but, after losing the first love of her life, then becomes involved with Joe, a handsome man who is quite the smooth operator, a Doppelgänger who shows the world one face, that of an urbane and capable man, but whose other face soon turns to stone as he begins to attack Lee and her son, Toby. It is the classical scenario of an abused woman and the novel takes us through all the different stages of such a relationship until Lee is able to free herself from the violence and give herself to her own life.The sea, with all of its associations, is the element in which she must learn to swim and sing. Early in life, she had been thrown into the pool by her father to learn to swim and immediately learns that he “had expected something of her and she had failed, the first enactment she could remember of a script that would play out a thousand times more: a simple expectation, and her failure to meet it…Water had to be controlled, tamed, edited--.”The sea, like Joe, has a good face and a bad face—and this doubleness that splits is worthy of prolonged thought—and sometimes there is a “good sea dream, the one where she was in and of the sea, soaring above and through corals, doing a weightless, spiraling dance with great, graceful rays, with clouds of sequined fish.” But all too soon this dream, like the “good Joe,” would switch off and Lee would be left with the raging of violence, the stare of the Medusa-husband.After all the convolutions of trips to South Carolina and to the Hamptons, parties in Manhattan, a move to Princeton with its renovations of a house, and a dissolving marriage, Lee is finally able to tell someone—her friend Marina Seton—the fairy tale that has ruled, or expressed, her life: the Little Mermaid, a story that had “put her to sleep” from childhood through mid-life. And what she must learn is how to “pick up the knife” in order to protect herself and her child and to cut her way free from a narrative net that is destroying her. She does learn to wield the knife, learns that men are terrified of women’s independence—Machiavelli, religious fundamentalisms, and daily life are good indices of this terror—and learns to begin to become a Merwoman, part of the strong and indefatigable community of the “full-grown women of the sea.”There is much more to Outing the Mermaid than this sketch indicates and Medlock is a talented stylist able to evocatively capture both mood and surroundings. She writes lucidly in the registers of both realism and mythology, bringing these layers together in a novel of great interest to both men and women, for all of us are working to be able to learn to sign our own names in the name of the larger world. Morgana Palmer does just this.
3 of 3 people found the following review helpful. Birth and death, passion and desertion - you don't want to miss this story! By G. Armour Van Horn There's a fairy tale, birth and death, passion and desertion. A house to sell, an apartment to lease. A smart but naive woman learning to make her way in the world, despite her traditional family and a labor negotiator that may be the rottenest husband ever that didn't physically beat his wife. A cripple that chose to stay that way, and siblings that soared. Not to mention a logger that found the cure for epilepsy and then wandered off without finding anyone to tell about it. Ann Medlock weaves a tale full of complex and memorable characters.I bought the book to support a local author and was delighted to find out it was such a rewarding read.
1 of 1 people found the following review helpful. A Realistic Look at Our Fairy Tale Lives By Grammar To Go How have I missed reading something as good as Outing the Mermaid before? Ann Medlock did a remarkable job of telling a woman's story--almost every woman's story to some extent. Even the independently minded women of today still have to see themselves through the eyes of men and other women who seem to "belong" to those men. How many women have lived like Lee in this story--always a second class entity and never having worth as a real person as long as she belonged to a man who could only see her as an extension of his needs. Ah, and the nightmares! Which dead sailors needed her help? ALL the men in her life needed her to DO what they wanted--until she raised the rare Tobias to love and care about others. This is not a motherhood book, however. It is not even a declaration of independence for a woman. It is a map and a knowing that a way is in our spirits for freedom and awareness of ourselves as individuals who matter. I just loved reading this story. And the ending was NOT what I expected!
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