The Deerslayer (Xist Classics), by James Fennimore Cooper
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The Deerslayer (Xist Classics), by James Fennimore Cooper
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James Fennimore Cooper's The Deerlayer is an American classic. This novel introduces Natty Bumppo as "Deerslayer", a young frontiersman in early 18th-century New York and serves as a prequel to Cooper's Leatherstocking Tales. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This ebook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.
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The Deerslayer (Xist Classics), by James Fennimore Cooper- Amazon Sales Rank: #596177 in eBooks
- Published on: 2015-03-15
- Released on: 2015-03-15
- Format: Kindle eBook
From Library Journal This novel, Cooper's last contribution to his five-volume "Leatherstocking Tales," introduces Natty Bumppo as a young frontiersman in early 18th-century New York and keeps him busy rescuing white women from Indians. Since Cooper actually wrote this book last in his series, one would expect it to be competently written. However, it's impossible to listen to it without thinking of Mark Twain's savage essay "Fenimore Cooper's Literary Offenses," in which he calls The Deerslayer a "literary delirium tremens." Very apt. The book takes forever to go nowhere, and its dialog is a tortuous blend of stilted literary English and wholly imaginary frontier dialect. Such imperfections may be passed over on the printed page, but they are impossible to ignore when given voice. Narrator Raymond Todd reads descriptive passages just fine, but no one can make Cooper's dialog sound like real speech. This is better left to print editions. Kent Rasmussen, Thousand Oaks, CACopyright 2002 Cahners Business Information, Inc.
Review “James Fenimore Cooper was the first great American novelist.”—A. B. Guthrie
From the Publisher The deadly crack of a long rifle and the piercing cries of Indians on the warpath shatter the serenity of beautiful lake Glimmerglass. Danger has invaded the vast forests of upper New York State as Deerslayer and his loyal Mohican friend Chingachgook attempt the daring rescue of an Indian maiden imprisoned in a Huron camp. Soon they are caught in the crossfire between a cunning enemy and two white bounty hunters who mercilessly kill for profit. The last of the Leatherstocking tales to be written, though first in the chronology of the hero's life, The Deerslayer is James Fenimore Cooper's masterpiece. A fine combination of romance, adventure, and morality; this classic novel of the frontier is an eloquent beginning for Cooper's great wilderness saga--and an unforgettable introduction to the famous character who has said to embody the conscience of America: the noble woodsman Deerslayer.
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21 of 23 people found the following review helpful. A lackluster prequel to The Last of the Mohicans By Karl Janssen Originally published in 1841, The Deerslayer was the last book written by James Fenimore Cooper in his series of five novels known as the Leatherstocking tales. In terms of the narrative sequence of the series, however, it is chronologically the first installment in the story line. The five historical adventure novels which comprise the Leatherstocking saga all relate episodes in the life of Nathaniel Bumppo, a hunter and trapper in colonial America who, though a white man, lives among the Native Americans. Bumppo is known by many names throughout the five books, but in this first volume he is primarily referred to by the appellation of Deerslayer.The novel takes place in the early 1740s in New York State. Deerslayer and his traveling companion "Hurry Harry" arrive at a secluded, placid lake where resides the Hutter family. Thomas Hutter has built a house on piles in the center of the lake, known as the "castle," where he lives with his two daughters--Judith, who is renowned for her incomparable beauty, and Hetty, who is considered simple-minded. The family also travels the lake's waters in a sort of houseboat called the "ark". While Hurry has come to the lake to court Judith, Deerslayer has come to rendezvous with his friend Chingachgook, a Delaware Indian. At this early point in Deerslayer's life, he is renowned for his hunting skills but has never killed a man. As war has been recently declared between the British and French, along with their Indian allies, the two young friends have come together to embark on their first warpath, in hopes of proving themselves as warriors.The lake is besieged by a band of Huron Indians, who are loyal to the French. They capture members of Deerslayer's party, and he and his remaining companions strive to rescue them. The scope of the story never expands beyond the lake. Characters move back and forth from the castle to the ark to the shore as characters are captured, rescued, or recaptured. It reads very much like an action movie--a sort of 18th century Die Hard--yet its one of the slowest, most tedious adventure tales you'll ever encounter. The action sequences consist of Cooper delineating the trajectory of every boat and bullet with a fastidious attention to detail that dulls much of the excitement. Such scenes are interspersed with long conversations between the characters, which mostly serve the purpose of contrasting their personal philosophies. The last half of the book focuses on an impending doom which threatens Deerslayer, yet, since this is a prequel, the fact of his survival is never really in question.The colonial period of American history is a truly fascinating time, and Cooper is our best literary chronicler of the era. His narrative voice is an enjoyable combination of the skillfully crafted prose of a distinguished man of letters and the campfire tales of a rugged frontiersman. Unfortunately, one wishes he were a better plotter. Unlike his masterpiece The Last of the Mohicans, this novel shows little sign of a preconceived structure. It seems as if Cooper just started with chapter one and made it up as he went along. The result is an awful lot of boring passages and redundant dialogue.Though not a great book in its own right, the true value of The Deerslayer lies in its position within the Leatherstocking saga. Much is revealed about the character of Natty Bumpo--how he fared in his first experience with combat, how he earned the name of "Hawkeye," and how he acquired his famous rifle Killdeer. Cooper deeply delves into the Deerslayer's personal moral philosophy, which resembles a sort of frontier Samurai code. The five Leatherstocking books unquestionably constitute a monumental achievement in American literature. The Deerslayer is certainly not the best book in the series, but in light of its being part of a greater whole it does deserve to be read.
24 of 29 people found the following review helpful. Not Cooper's Best Effort.... By Jonathan B. Sims Had "Deerslayer" been James Fenimore Cooper's first "Leatherstocking" tale -- who knows? Maybe it would have been his last! But his mythic hero, Nathaniel Bumppo (a.k.a. Natty, Deerslayer, The Long Carrabine, Hawkeye, et. al.)had such a mid-19th Century following that Cooper was practically guaranteed an eager, receptive audience for his tales.I won't say straight out that "Deerslayer" is a terrible book. If nothing else, Donald Pease's introductory essay informs us of several plot complexities that are intertwined with Cooper's personal life, such as the re-invention of Natty Bumppo to buttress and justiry Cooper's real-life legal property claims. But, if "Deerslayer" is not a terrible book, it is for hundreds of pages something less than scintillating. Why? I think it comes down to this. Patient readers can endure quite a lot of moralizing, or wide swaths of verbosity. But put the two together and it's hard to endure.The story takes place on Cooper's real-life ancestral home, Lake Otsego in mid-upstate New York (my friends tell me the pronunciation is "Otsaga" with a short "a") where we first encounter a youthful Natty Bumppo and his unlikely fellow traveler, Harry "Hurry" March, an indestructible, Paul Bunyonesque figure whose credo can be summarized as "might makes right." Natty (given the sobriquet, Deerslayer, by his adopted Delaware tribe) has arrived at the lake to join his companion, Chingachgook, (the "Serpant"), in his quest to liberate his future bride, Wah-ta-Wah, who was kidnapped by a band of Huron Indians. Harry March has come to the lake to capture the heart of Judith Hutter, who along with her father, Thomas, and simple-minded sister, Hetty, live on the lake, occupying either a floating ark or a fortress-like structure built upon the lake.Eventually, the Hutters are surrounded by dozens of fierce Huron warriors, who are on the warpath during the opening days of the mid-18th Century French & Indian Wars. Seemingly, it was all there for Cooper to capitalize on: just a handful of isolated white settlers, whose only protection from scalp-seeking, torture-minded skulking Hurons is a crank sailing craft or a lake home on stilts. But Cooper rejects his own dramatic setting to stage a morality play, and a heavy-handed one at that.A word about the Hutter sisters. Diametrically opposed siblings are at least as old as the Bible, and Cooper employed them in several novels, including "The Last of the Mohicans" and "The Spy" (far superior works than "Deerslayer".) Hetty is Cooper's example of purity and innocence, but we can leave her to the Hurons, who display an admirable level of respect and reverence for the frail-minded girl. I suspect she would have fared much better in the hands of so-called savages than in the typical 18th Century colonial settlement. It is her vain, beautiful and high-tempered older sister, Judith, whose character is of more interest, and requires in my opinion a little rehabilitation.It is never made explicit by Cooper (no doubt it would have scandalized his audience) but I think it's fair to say that Judith Hutter -- much to her regret later on -- granted her last favors to at least one colonial British officer (maybe several.) And, if this is a mis-reading of the text, she most certainly did "something" to set the colonial tongues a wagging. Whatever her "failings", they would not be recognized as such by modern day readers (perhaps her vanity and self-centeredness would go unnoticed as well.) There was, however, little tolerance for a Judith Hutter in the 18th Century, and Cooper would have never permitted Natty Bumppo -- young, virginal and selfless -- to fall in love with this high-spirited young woman. (Besides, it would not have chronologically tied in with his future exploits.)But I'm not entirely convinced. Judith Hutter possesses several admirable traits, not the least of which is intelligence, bravery and a certain loving devotion to her frail sister. She also recognizes Natty Bumppo's virtues, as well as her own faults, and is more than willing to embrace the former and cast off the latter. Her love for Natty is obvious for hundreds of pages, but somehow he doesn't quite get it! In the end, the girl must swallow her pride and make explicit what even modern day women would find nearly unthinkable -- she makes an outright marriage proposal. Alas, Natty Bumppo is simply "too good" for her.To use a modern day expression, Cooper is over the top with the virtuous Natty Bumppo. At some point, self-abnegation is just another form of narcissism -- only more complex than the garden variety of narcissism possessed by Judith Hutter (and other mere mortals.) In his introductory essay, Donald Pease points out that the rejection of Judith Hutter balances the brutal rejection Natty Bumppo receives at the hands of Mabel Dunham in an earlier Leatherstocking tale, "The Pathfinder". Maybe. But consider this. To honor his parole from the Hurons, Natty Bumppo chooses torture over Judith Hutter. And, ultimately, he chooses a famous rifle over her -- a gift she lovingly gives to him in recognition of how much he would appreciate such a weapon. It comes down to this: torture and guns over Judith Hutter! Hmmm.... I'll leave that one for modern day psychologists.I've given "Deerslayer" three stars because Cooper is, after all, one of our nation's early literary masters, and "Deerslayer" is not without its moments. There's a wonderful give-and-take scene between Natty Bumppo and the Huron Chief, Rivenoak, as they negotiate the release of Thomas Hutter and Harry March. (My advice to modern day corporations: don't bother with negotiation consultants -- save your money and read Chapter 14.) And for those who still believe in the right of every American to bear arms, take it from the author who created our nation's first true literary sharpshooter. There's a haunting, prescient admonishment about leaving loaded guns lying about the house (pages 219-220.)
10 of 11 people found the following review helpful. Natty: The early years.......... By nto62 Cooper's final Leatherstocking Tale, The Deerslayer, depicts young Natty Bumppo on his first warpath with lifelong friend-to-be, Chingachgook. The story centers around a lake used as the chronologically subsequent setting for Cooper's first Leatherstocking Tale, The Pioneers. Tom Hutter lives on the lake with his daughters and it is here that Deerslayer (Bumppo) intends to meet Chingachgook to rescue Chingachgook's betrothed from a band of roving Iroquois. A desperate battle for control of the lake and it's immediate environs ensues and consumes the remainder of the story.Throughout this ultimate Leatherstocking Tale, Cooper provides Natty much to postulate upon. Seemingly desiring a comprehensive finality to the philosophy of Bumppo, Cooper has Natty "speechify" in The Deerslayer more so than in any other book, though the character could hardly be considered laconic in any. Though the reason for this is obvious and expected (it is, after all, Cooper's last book of the series), it still detracts a tad from the pace of the story as Natty picks some highly inappropriate moments within the plot to elaborate his position. And, thus, somewhat incongruently, Cooper is forced to award accumulated wisdom to Bummpo at the beginning of his career rather than have him achieve it through chronological accrual.All things considered, however, The Deerslayer is not remarkably less fun than any other Leatherstalking Tale and deserves a similar rating. Thus, I award The Deerslayer 4+ stars and the entire Leatherstocking Tales series, one of the better examples of historical fiction of the romantic style, the ultimate rating of 5. It was well worth my time.
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