Foucault, in Winter, in the Linnaeus Garden, by Michael Joyce
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Foucault, in Winter, in the Linnaeus Garden, by Michael Joyce
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Fiction. LBGT Studies. Michel Foucault famously wrote, "I am fully aware that I have never written anything other than fictions." In this polylingual, operatic fantasy comprised of invented letters, most of them unsent, set in Sweden during February 1956 while Foucault was undergoing a Swedish winter, the philosopher finds himself not just researching, but living through, his work to come, Madness and Civilization.
Foucault, in Winter, in the Linnaeus Garden, by Michael Joyce- Amazon Sales Rank: #463165 in Books
- Published on: 2015-03-10
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .0" w x 5.50" l, .0 pounds
- Binding: Paperback
- 184 pages
Review Foucault, in Winter, in the Linnaeus Garden is a masterful work of introspective beauty. Its layers of meaning cascade across its pages in recursive waves of polysemous speech. The text is at once concerned with the emotional truth of its characters' experiences and with the lived truth of Foucault's philosophy. Joyce achieves all of this with a deft hand, a multilingual pen, and an ear for what we mean when we speak and how we speak when we mean. --The Public, BuffaloThe novel affords a compelling meditation on what we might call the nexus of madness, philosophy, and literature, one that conveys a productive and troubled time for Foucault with an intensity and artfulness befitting of one of the most artful philosophers of the twentieth century.... Everything about Joyce's Foucault is alluring, and his characterization will seduce the philosopher's devotees and doubters alike.--Electronic Book ReviewOscillation is a key component of the novel's structure and, in a larger sense, is related to states of absence and presence, linguistic or otherwise... [and] absence looms large in Foucault in Winter... [which] manages to interweave intimate details of passionate relationships with kernels of Foucault's thought... --American Book ReviewThis is an emotional, transportive novel that recalls a time of literary passion. It is a work that begs to be read aloud, regardless of its challenging polylinguality; to be heard, felt and absorbed...Foucault, in Winter, in the Linnaeus Garden floats between ideas and language, madness and civilization, and, in the process, finds emotional gravity. --New Orleans Review
About the Author Michael Joyce's twelve books include seven novels, most recently FOUCAULT, IN WINTER, IN THE LINNAEUS GARDEN (Starcherone Books, 2015) and TWENTIETH CENTRUY MAN (Otis Books/Seismicity Editions, 2014); a prior book-length sequence of poems from BlazeVOX books, PARIS VIEWS (2012); a mixed collection of media essays and short fiction from SUNY, and two collections of essays on digital media from University of Michigan Press. His pioneering hyperfiction, afternoon, a story (Eastgate, 1987) has been translated into French, German, Italian, and Polish and was followed by other electronic works on disk and online. A native of Buffalo, for the last twenty-plus years he has lived along the Hudson River and taught at Vassar College.
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Most helpful customer reviews
0 of 0 people found the following review helpful. Foucault Fan Fiction By Steven Moore In this erudite fantasia, Joyce conjures up a fictitious adventuress to enliven Foucault's factual stay in Sweden in early 1956, where he was researching "Madness and Civilization." Like his Irish namesake, Joyce gives his characters a polylingual vocabulary (English, French, Swedish, German), "always with its whiff of silken allusion" (p. 157) to everyone from Homer to Lacan. This is a sophisticated entertainment not only for Foucault fans but for anyone interested in cutting-edge fiction.
0 of 0 people found the following review helpful. Like Glenn Gould at the keyboard By WTC Joyce’s spellbinding epistolary performance leaves us convinced that we have encountered Foucault’s restless soul in the haunting glow of Swedish winter darkness. Like Glenn Gould at the keyboard, Joyce probes the instrument of fiction as he records an elegant version of an intense and uncompromising intellect. He gives us Goldberg Variations as Foucault Interrogations. As we read – and listen – to this operatic progression of letters, we are given the courage to explore our own assumptions about love and madness, and in doing so perhaps ask ourselves some dangerous questions.
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